Men Not Singing In Church

worshipYesterday, a member of our church family tagged me in an article called “Why Men Have Stopped Signing In Church.” I have pasted the content of the article below or you can click on the link in the previous sentence. The nice thing is that the tag on Facebook contained a compliment to me (thanks Marilyn!) and even generated a couple of comments.

I thought the article was well-written. It contained a history of congregational singing provided a perspective of how worship has changed over the years.

While we certainly haven’t cornered the market on wisdom regarding worship in the church, I had a couple of observations related to what the author of the article set forth.

In regards to men singing in church, I think we need to recognize that there are some men who just won’t sing. Regardless of who is leading or what songs are used, there are some men (and women, too) who just don’t like to sing. I can think of a couple of different men who are believers and leaders in our church, but simply don’t sing in a group. I don’t think it is a sign of lack of maturity or an indication that they don’t worship. They just don’t choose to express it through singing.

I do think it is important for the worship leader to use songs that each congregation is familiar with so they can sing along. When we introduce new songs (and there are a lot of good ones out there), we use it several times in a short period of time so our church family can learn it. With the growth of Christian music, a lot of people can listen to the worship songs outside of the Sunday morning experience. That is helpful in shortening the learning curve, but not everyone will hear it outside of the worship service.

We take our time in adding new songs to the rotation so that people are familiar with what we are singing. One very large church that would fall into the description the author of the article uses (band, lights, screens, etc.) uses a rotation of about 25 songs. They acknowledge that not all those who attend their church are present every Sunday, so they limit the number of songs they use to increase the chance people have learned the songs.

I don’t think you can judge worship by musical style because there is just so much music out there and many different preferences. The article was good food for thought and should encourage worship leaders to examine what we do on Sundays in leading people in worship.

Here’s the content of the article:

It happened again yesterday. I was attending one of those hip, contemporary churches — and almost no one sang. Worshippers stood obediently as the band rocked out, the smoke machine belched and lights flashed. Lyrics were projected on the screen, but almost no one sang them. A few women were trying, but I saw only one male (other than the worship leader) making the attempt.

A few months ago I blogged, “Have Christians Stopped Singing?” I did some research, and learned that congregational singing has ebbed and flowed over the centuries. It reached a high tide when I was a young man – but that tide may be going out again. And that could be bad news for men.

First, a very quick history of congregational singing.
Before the Reformation, laypersons were not allowed to sing in church. They were expected to stand mute as sacred music was performed by professionals (priests and cantors), played on complex instruments (pipe organs), and sung in an obscure language (Latin).
Reformers gave worship back to the people in the form of congregational singing. They composed simple tunes that were easy to sing, and mated them with theologically rich lyrics. Since most people were illiterate in the 16th century, singing became an effective form of catechism. Congregants learned about God as they sang about God.

A technological advance – the printing press – led to an explosion of congregational singing. The first hymnal was printed in 1532, and soon a few dozen hymns became standards across Christendom. Hymnals slowly grew over the next four centuries. By the mid 20th century every Protestant church had a hymnal of about 1000 songs, 250 of which were regularly sung. In the church of my youth, everyone picked up a hymnal and sang every verse of every song.

About 20 years ago a new technological advance – the computer controlled projection screen – entered America’s sanctuaries. Suddenly churches could project song lyrics for all to see. Hymnals became obsolete. No longer were Christians limited to 1,000 songs handed down by our elders.

At first, churches simply projected the songs everyone knew – hymns and a few simple praise songs that had come out of the Jesus Movement. People sang robustly.

But that began to change about ten years ago. Worship leaders realized they could project anything on that screen. So they brought in new songs each week. They drew from the radio, the Internet, and Worship conferences. Some began composing their own songs, performing them during worship, and selling them on CD after church.
In short order we went from 250 songs everyone knows to 250,000+ songs nobody knows.

Years ago, worship leaders used to prepare their flocks when introducing a new song. “We’re going to do a new song for you now,” they would say. “We’ll go through it twice, and then we invite you to join in.”

That kind of coaching is rare today. Songs get switched out so frequently that it’s impossible to learn them. People can’t sing songs they’ve never heard. And with no musical notes to follow, how is a person supposed to pick up the tune?

And so the church has returned to the 14th century. Worshippers stand mute as professional-caliber musicians play complex instruments, sung in an obscure language. Martin Luther is turning over in his grave.
What does this mean for men? On the positive side, men no longer feel pressure to sing in church. Men who are poor readers or poor singers no longer have to fumble through hymnals, sing archaic lyrics or read a musical staff.

But the negatives are huge. Men are doers, and singing was one of the things we used to do together in church. It was a chance to participate. Now, with congregational singing going away, and communion no longer a weekly ordinance, there’s only one avenue left for men to participate in the service – the offering. Is this really the message we want to send to men? Sit there, be quiet, and enjoy the show. And don’t forget to give us money.

There’s nothing wrong with professionalism and quality in church music. The problem isn’t the rock band, or the lights, or the smoke machine. The key is familiarity. People enjoy singing songs they know.

How do I know? When that super-hip band performed a hymn, the crowd responded with gusto. People sang. Even the men.

Average Joe review

A description of Average Joe tells the purpose of the writing of the book:  “In Average Joe, Troy Meeder sets out to dispel the notion that apart from media attention, athletic greatness, scholastic achievement, or corporate power, a man is nothing. As young boys, we dreamed of being pilots, firefighters, doctors and cowboys. What happened? Now, as years have passed, we have kids, a wife, a mortgage, a seemingly dead-end job and a minivan. All of the dreams that once inspired us have evaporated into traffic jams, computer screens, bills and deadlines. Is it enough to be a good husband, an honorable father or a faithful friend?”

Meeder stays true to his purpose by weaving together stories from scripture as well as his own personal experiences to encourage men to not settle for being “average,” but to rise up to the challenge of being the men God is calling them to be.  As I read Average Joe, I could hear echoes of John Eldredge’s Wild At Heart as Meeder encouraged men to seek out deeper friendships with other men, to be husbands who love their wives and men who seek adventure in enjoying God’s creation, whether it be on the river, on horseback or just eating a good meal.

One of the strengths of this book is the stories the author tells.  He shares his own experiences from college, while fishing and boating, scuba diving and horse back riding.  His retelling of these events brings the reader into the experience and you can clearly picture the scene that he describes.  Using these stories as a springboard, he makes connections to scriptures that call men to do more than just settle for average.

Another unique characteristic of this writing is the voice of the author.  As you read it, you can picture a man who has accumulated a wealth of life experiences, has had ups and downs and has learned from both his success and failures.  He comes across as a seasoned veteran of life and refers to some of the changes he has seen from his generation to today.

Average Joe would be a good read for any man and could also be useful for a small group.  The end of the book provides discussion questions to help men make application.